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Director Stephen Frears, working from a book by the real Martin Sixsmith, isn't about to let the Irish church off the hook for a monstrous (and well-documented) chapter in its history. In flashbacks, he pictures the young Philomena as a sort of proto-Katniss, doing battle with a tyranny of nuns. That this rebel grew up to be Dench's chatterbox of an older Philomena does exasperate Coogan's Martin.